Day 3 at the Joburg Theatre to watch the Whitney Houston tribute show. Whitney Houston is Sharon Spiegel-Wagner’s favorite artist of all time. Sharon is also born in August. Happy Birthday great man, long live antakalipa, live long!
Sam and Stew have watched this four times and they don’t rule out a fifth. Best birthday ever, I can’t conceive of anything better. I never saw Whitney, however she taught me the greatest love of all. I have made up my mind, Belinda Davids is my favorite performer of all time. Belinda Davids is Whitney Houston maybe even better, sacrilegious, I know, I don’t know what to say after watching something like that. She is truly amazing!
After the show, I followed Belinda on all her socials because I want her to stay with me forever. So in love with Belinda Davids, that voice, the technique. She is so beautiful. She is perfect. I’ve never experienced anything like that, couldn’t stop singing and clapping. The audience didn’t want the show to stop, Belinda escaped. The greatest tribute show of all time, Showtime Australia the culprits.
It was an absolutely great show, some might say the greatest tribute show of all time. Yes, she sings Whitney songs but that’s Belinda Davids! Maybe even better, sacrilegious, but she’s transcended. Belinda Davids is so amazing. Perfection. She sings for the love and not because of fame or a fleeting experience. She is simply technical excellence.
Full house, the audience enthused and excited. Some of the songs performed are: Saving all my love for you, Greatest love of all, I have nothing, I will always love you, One moment in time, My love is your love, I am every woman, So emotional, I wanna dance with somebody and other timeless classics.
This has been the best birthday of my life. Thank you to God for the 30 years. SamSays on the credits. Whitney Houston is Sharon Spiegel-Wagner’s favorite artist of all time. Sharon is also born in August.
Congratulations Showtime Australia and the whole team for a great show and a deserved standing ovation.
Day 1 of my birthday weekend at The Cirk to watch “La Bella – I am a woman”. Big weekend, you have to start strong!
I can’t imagine anything better than The Cirk to kick-start the festivities. It didn’t disappoint. All female cast, so many beautiful, literally perfect ladies on the stage. God’s glory, perfect bodies, beauty incomprehensible. The show beams sexuality. It is sultry, passionate and sexy – to reference Beyonce, oh so bootylicious. Costumes: underwear, lingerie and poles to dance for you.
The female form is a thing of beauty, it is art. When it stretches and bends like elastic, it is awe-inspiring. It stimulates your imagination, it’s suggestive, it makes you day-dream with your eyes wide awake. It’s so difficult to keep your eyes off the ladies on the stage, they are captivating and embody the spirit of femininity. Nothing exists besides them, beauty and talent like that doesn’t negotiate. They are liberated and embrace their sexuality. There’s singing, dancing and a violinist who is absolutely mezmarrizing. Silks, splits, cages that hover in the air and aerialists doing the impossible are a given. They spin in the air like tops, stretch and hang by their legs in the air in a manner that makes your heart drop. Done with a smile to indicate it’s all in a days work. Typical Cirk at their typical best.
I usually have reservations about calling August ladies month because I was born in August and I am a serious man, but after a show like that, sure you can have it. I have no problem with you ladies, it’s your month. I took a picture with the all female cast after the show and you can see the happiness on my face. I’ve never been that happy, ever!
Congratulations to The Cirk for a great show and a deserved standing ovation.
Best show ever! Honestly, it’s better than great. It is amazing story-telling. Everything tells a story, from the lights, to the sound and the effects. You don’t even have time to be bored, your mind doesn’t wander, you just hooked from the first moment the actors get on stage. Masterful story-telling, the details, the tone, everything was deliberate and meant to contribute or convey something to the story, it’s content on another level, an example of world-class theatre. It’s Sylvaine Strike, she’s the common denominator, she’s the one with the magic wand, the conductor, I got the same feeling after watching “The Promise”, the feeling of this is the greatest day of my life. Wow! That was a great show! I enjoyed every moment. Ah, It’s beautiful to be young even in Germany, I didn’t think you could do that on the stage, clears throat – Coitus, it was certainly saucy, that moment certainly got my full attention. Thoroughly satisfied, happy there was an interval for a little breather, happy with the overall length of the show, happy with everything, I am in love with theatre. The show is captivating, your eyes are locked to the stage, everything disappears, you get immersed in the story, it’s an experience. She’s the best director in the world. The actors on the stage were amazing, so talented, so in love with their craft. The singing was amazing and the cheography perfect. Everything was perfect. Again, the lighting and sound effects! Everything was on cue. The hours and practice it must have took to create that! They worked hard. It’s amazing, they created magic on the stage with a minimal set. The actors made use of the stage to perfection. It’s Sylvaine Strike, she’s the common denominator, she makes great art, a master storyteller, a theatre world champion, the greatest of all time. A deserved standing ovation and congratulations on the whole team for creating a masterpiece. Thank you Sam for yet another great pass ♥️. SamSays on the credits.
At the Market Theatre for the opening of “Breakfast with Mugabe, Standard Bank had an influence, drinks, soup, bread and general snacks on the house. Posed for pictures with distinguished people, met the director Calvin Ratladi.
Written by Fraser Grace, ‘Breakfast with Mugabe’ stars Themba Ndaba portraying Mugabe and Gontse Ntshegang as his wife, Grace. Craig Jackson plays Mugabe’s psychiatrist, Dr Peric, while Zimbabwean actor Farai Chigudu takes on the role of Mugabe’s bodyguard. The play is about Zimbabwean president Robert Mugabe’s fictional imagining of conversations with white psychiatrist Dr Peric. Initially, Mugabe is avoidant, he misses appointments and comes late. They go deep delving into Mugabe’s psyche, the struggle is unearthed, bombings comes to the surface and love of country is elevated. The characters speak in Shona for realism, the play is in English. Exploitation happens, the white farmer loses his farm. The play explores grief, healing, faith, nationalism and legacy.
The set is in Zimbabwe’s head of state, coat of arms on the wall and a portrait of a painting on the other side of the wall. Elevated slightly by a stage in the middle is a trio of chairs and a table for juice. On the ground is soil, it features at the start and the end of the play. Themba Ndaba is brilliant as Robert Mugabe, he embodies his mannerisms, the restless energy, panting, speech and demeanor. I loved Gontse Ntshegang, she is so beautiful and amazing, she stole the show as Grace. She is after your farm white man. Craig Jackson as Dr Peric is a psychiatrist whose about learn what it means to be a white farmer in Zimbabwe, he learns the hard way, he loses. Farai Chigudu as the bodyguard beats up the white psychiatrist.
Thought-provoking piece of theatre that delves into the intricacies of human nature. I know I missed so much, it’s not something you watch once. You need multiple viewings to scratch the surface. It can completely go over your head, it needs meditation and contemplation. This is undoubtedly a masterpiece.
Congratulations Calvin Ratladi and the whole team for a great show and a deserved standing ovation.
Theatre is female. Daphne opened the door, Regina called me in, Sharon took me with her and Sam showed me everything. These are all my girls, I love them with impunity, they loved me and I love them forever. After I took the “Dress Code” script, I experienced some turbulence. Me and Regina were at loggerheads and she didn’t want me at the theatre anymore. I had defied, disrespected her and my time working as stage manager was done! I was tired of being bossed around, she was tyrannical and condescending. She never missed the opportunity to remind me that I owed her for the job. It was unfair and inaccurate, I landed the job myself. I talked to Daphne, I was at the theatre every week watching shows, the theatre needed help with operations and they approached me to help and I accepted. Regina switched everything around, it was I who needed the job, I was lucky to be there and she was the one who hired me not Daphne. I went with what she said because I needed to be there so I can understand the landscape and be apart of theatre. She started with that narrative very early on, one the first day and she was on top from the very first day. She dominated me, she was overbearing, she humiliated me, every time Daphne paid me, she made it a point to ask me how much she had paid me. After my response she would proceed on reminding me how lucky I was I had that job. I was doing the job, I was perfect at it, I was an asset to theatre and yet I was in bondage to her! She used to tell me every day that this was her theatre. Her demeanor was narcissistic. I hated that. I knew I wasn’t going to last from the first day she took that R100 from me, I knew I would turn on her sooner rather than later. What she didn’t understand is that I wasn’t motivated by money or fear, I was doing this for the love. That gave me the edge to be strategic because I wasn’t afraid of losing the job, I welcomed it if it meant I couldn’t work with dignity. She wanted your balls for that paycheck and my balls were mine. I dislike being micromanaged, I prefer to work with autonomy and space, I will do the job perfect if not I will take responsibility for the down fall. I don’t need to be put down and reprimanded in front of an audience, that won’t give you the best results. The truth is that me taking that script was premeditated, I was being spiteful, I wanted her to see and acknowledge me, it was my receipt for everything and my way of showing her that I was pretty narcissistic too. The script had other uses too, I took it to get close to the cast, I knew I wasn’t going to last at the theatre. I anticipated her response, she was outraged and played the victim when I was only reflecting her, I knew my position at the theatre was secured. I stayed away for a while but I’ll be back.
Now that I wasn’t working at the theatre anymore, I connected with Sharon. When we were together working on the “Dress Code”, she said she wanted to take me with her after “Dress Code”. I never forgot that. I told her the theatre didn’t have space for me anymore and reminded her of what she said. She acquiesced and stuck to her word giving me tickets to her shows. When I talked to her, she was there, responding with speed, attention and care. It would have been easy to dismiss me but she didn’t. When theatre had turned it’s back on me and I had nothing, she was there, she was theatre and she was the best. Her show with Allen Committee “Same Time, Next Year” at Montecasino was awesome, she mesmerized me, such talent, I was in awe and she took me to Montecasino, something that raised my spirits because I was not on the square anymore. I will never forget Sharon Spiegel-Wagner, she was there for me, she’s the reason I stayed with theatre and she did it alone. She did take me with her, after the square, I was at two of her shows. I got VIP treatment, I had the best seats and got to see her and hug her after the show. Only good feelings about Sharon.
I came back on the square to watch some shows and was a regular again. They had some kid who replaced me. Good kid, good energy and we connected quite well but to be honest he wasn’t better than me. I was not intimidated at all, in fact I was relieved. True, I do have a bias that makes me think I am the best but I also give credit where it’s due. I didn’t think this new kid was going to last. I thought Regina was going to eat him up! I was happy he was there because he gave me space to maneuver around. With him around I’d be at the theatre more often and have zero responsibilities whilst engaging and living with the people in the theatre. The last time I was there, I didn’t control the narrative, I worked there for a month and towards the end I was painted as an asshole. A label I welcome because I had to be one. With the new kid there, I’d paint my picture, they would see me for who I was and not through unfair projections that weighed me down. I would interact with the staff and help out where necessary whilst avoiding being micromanaged and taking orders from the boss. It was perfect, let him do the job, I’ll take the credit, my plan was long-term. It worked out pretty well, the theatre was home again, every time I showed up I was greeted with a cold beverage and the staff absolutely loved me. When the theatre was packed I assisted the staff and Daphne would give me something in terms of monetary compensation. It was part-time work but I got what I wanted, I was working with autonomy. The new kid didn’t last, he was my replacement but I was working alongside him. I was doing his job better than him. He was the second replacement who couldn’t replace me, oh well at least he worked for a couple of months. After months of labor, Regina finally let down her guard and welcomed me back to the theatre. She gave me back my R100 and I apologized for taking the script, I acknowledged it was a jerk move and we have a new relationship. The truth is that I’ve been an asshole at times, I did her and the theatre wrong, I am not perfect. Still, she forgave me multiple times and tried to show me what was right. I realize that she fought with me so much because she cared. She was the only person who cared. She wanted me to do the right thing. I love her for that even though at times I couldn’t communicate that. Yes, I was selfish and egotistical but it was a defense mechanism. The world had not been kind to me. She gave me everything, she gave me a chance, she took me me in and I will always be grateful for that. I love her the best. Love flows, we are cool.
One day I came in to watch “Vincent”, a show I knew pretty well. It was their second run, their first run was successful. The show is highly acclaimed and was always sold out. I served as a member of the production team on the first run and I was happy to be a part of the crowd for the second. That’s when I met Sam of SamSays and we connected right away, with the greatest of ease. It was so easy talking to Sam, everything flowed. She was a theatre enthusiast and knew everything and everyone. She reviewed shows and went all around the country. We talked about theatre and the Springboks, the World Cup final was playing that day All Blacks vs. Springboks, a game we won! It was a perfect day, “Vincent” was a masterpiece and we won the World Cup. I followed her on her socials and we have been close ever since. She has taken me everywhere! She recommends the best shows and she helps out in every way possible. No hyperbole, Sam is the best thing that has happened to me in the world of theatre. She expanded my horizon and I met new and awesome people because of her. Her reviews are great and I rate her very highly. I never would have met Sam if I didn’t take that “Dress Code” script, I never would have connected with Sharon Spiegel-Wagner if it weren’t for that script. Taking that script is the best thing I’ve ever done. Theatre loves me post that script.
At the Peoples Theatre, Joburg Theatre for the opening of Matilda Jr. I was so excited for this one! As a kid, I used to love the movie. To be honest, I still love it today. I would never dare change the channel if it’s on. Nostalgia, it takes me back to simpler times. A time when I yearned for telekinetic powers to defeat and outwit my bullies. I truly loved the show, it had me laughing and reminiscing all the way. There’s nothing better than hearing a child’s laughter, the show had that effect. Everyone was entertained, it is mellow, humorous, light and family-friendly.
The set is colorful and the transition between scenes is seamless and efficient. Everyone knew their cues and the show just flowed. I absolutely loved Peo-entle Pitso as Matilda. She is sharp witted and fast. She performs with a lot of love, she’s mischievous, she sings and she’s convincing, she is simply brilliant! One for the future. Luciano Zuppa is straight-up Miss Trunchbull. Musculine, crooked teeth, towering and intimidating. Raymond Skinner as Mr. Wormwood is definitely my favorite. He has zero regard for reading and derisively calls Matilda a “bookworm”. It’s crazy that Matilda has read “Crime and Punishment”, I agree with his father’s assessment. He ultimately gets in trouble with the Russian mafia for his shady deals. Jordan Rogers is gorgeous and enjoyable as Mrs. Wormwood. She is materialistic and wants the good life. She also doesn’t understand Matilda and she doesn’t waste her time trying to, she’d rather spend time with her boy toy, dancing with her wedding ring out of sight. Amelia Stephens is simple as Miss Honey. Long dresses, clean presentation, tame and a calm demeanor. I laughed out loud when Matilda asked if she was poor. Yes, she is poor. However she is kind, caring and empathetic – qualities that make her a great teacher and she gets the big house at the end.
Amazing show, the kids are in sync and well practiced. They sang, they danced and they delivered lines with precision. The writing is fabulous, everything and everyone is fabulous! Highly recommended, wonderful, wonderful show!
Directed by Jill Girard and Sandy Richardson-Dyer Musical Director – Coenraad Rall Set Design – Grant Knottenbelt
Congratulations to the Peoples Theatre and the whole team for a great show and a deserved standing ovation.
Spent the day as an observer for Sam, SamSays on the credits. She told me to check out the Gibson Kente lecture. I was enthused, Soweto theatre, of course, let’s go! Always wanted to come to Soweto but I hadn’t found probable cause, Sam put together content, theatre and Brenda Fassie to get me there, that my good man is an offer you can’t refuse – The Gibson Kente annual lecture. Before this I didn’t know much about Gibson Kente so I did my research and learned much about him. Legendary playwright, composer, director and producer born in the township like me 🙋🏽♂️, started a theatre in the township, collaborated with Caiphus Semenya and Letta Mbulu on his first play titled “Manana, The Jazz Prophet” – a play that depicted gangsterism. Sello Maake ka-Ncube called him the “Godfather of theatre” and he trained more than 400 artists including Brenda Fassie and Mbongeni Ngema. Let’s not forget wrote songs for Miriam Makeba and Letta Mbulu. Oh, thank you for the great pass Sam! It was an awesome day, I learned a lot, it was supreme, the Soweto theatre is beautiful, what a design, the colors, the outdoors vibe, the modern architecture is beautiful! The place is a piece of art. A great place to lose yourself, the sound is crisp, wonderful acoustics, I felt like I was in an oven being cooked but it wasn’t hell, it was pleasurable, like closing your eyes listening to your favorite music, theatre is wonderful, performance arts, an imitation of life, art, it makes life worth living because without it it’s just boredom and death. Definitely one of the best theatres I’ve been to, spacious and comfortable, accommodative and bakes you, temperature slow burning, chilled and relaxed. There is plenty of space for parking, it’s easy to get there, outside area to chill and great art to look at. The Soweto Theatre is pretty awesome! I enjoyed the lecture, it was insightful and educative, quite specular, I am inspired, Gibson Kente is a legend, 23 plays and I want to see them all! The subject matters he explored are about everyday living and life, the black experience, township life, human nature, hope, death. He dealt with what it meant to be human and alive, fought against apartheid and believed in freedom and human dignity. It was an experience and enthusiasm reigned, people connected, energy flowed, loved beamed, the lights emitted, the sound crisp and the stream of consciousness was oscillating in a high vibration. It was a day for theatre. All the theatre people were there, I am talking about directors, actors, legends, writers and producers. I also met a friend I was first acquainted with On the Square (Theatre on the Square, Sandton) who produced a show titled “From Soweto with smiles” Mojalefa Mogagabe, a talented creative I was happy to engage with. Kente, the father of black theatre, SamSays on the credits.
I usually come in an hour before the show, to prepare my mind for the experience, take in everything, be comfortable with the scenario, acquaint yourself with the environment and it was not any different this time. I came in nice and early to Jabulani, I love the fact that the theatre is in the township. I made friends. I was home. When you travel all around you realize that people are the same, we are motivated by the same things, we all want the same things, we wear the same things and we even look alike. The faces are different but we still connected, we could still be friends. I even got myself a Kota, what I eat when I am at home. The township (Kasi) is amazing, it’s the people, the community, diverse cultures, all crammed into one, we may be different but we co-exist as one, the pulse is one because all of humanity is one. Soweto is a breeding place for stories, content and inspiration roams all around, it is the place that made Gibson Kente, he told his peoples’ stories, he brought solace to those who needed it, he reflected and made sense of reality, he was a pillar, he entertained, he made people forget, he inspired, he is forever, Kente, the father of black theatre.
Dr. Andile Xaba the lecturer of the program is a great teacher, knowledgeable, prepared, articulate, passionate and has a lot of love for the arts. He grew up in Soweto and knew Gibson Kente, he was influenced and inspired by him. I learned a lot from him. It was a great lecture that covered Kente’s whole life. It was thorough and informative. iComplete and the band were amazing, heavenly voices, sharply dressed in all black, they were the tempo of the day, smooth and sophisticated. The violinist, Tshegofasto Matabane blew me away! She is so talented, showed so much focus and attention when she was playing the violin, it sounded so beautiful. Shoutout to the Artistic Director of the show James Ngcobo, the program was wonderful, it was an incredible day. It was an experience, my taste, while we chilled outside waiting for the lecture to commence we were treated to some wonderful Jazz music, it was a treat. Counselor Lubabalo Magwentshu provided the Keynote Address. Nomathemba Matu a student of Gibson Kente was the guest speaker sharing entertaining stories about his mentor. She shared life lessons with the audience. She is an amazing storyteller and I was engaged, I took what she had to say to heart. Her perspective humanized Gibson Kente, she made him a person. She was relatable. Soweto is awesome! I enjoyed the performances, everything was masterfully executed. The whole event was well coordinated and professional. One word to describe the event, “Masterpiece”. It was honestly the best day of my life. Kente, the father of black theatre, SamSays on the credits.
Opening of “The good White” at the Market Theatre. I love the Market Theatre, the place was vibrant and buzzing. Even posed for a couple of pictures – press time.
A different perspective to the #feesmustfall and #rhodesmustfall movements. The story follows Professor Simon Whitehead, a senior ranking official of the University, his Zimbabwean colleague who plans to launch his book on Decolonization and his colored wife who also holds a high position at the University. It is set in a world of unrest and desolation, a world where the youth feel betrayed by the current system and the leaders that preceded it. Nelson Mandela preached “rainbownism”, he didn’t change anything, the systems of apartheid are still in place. Apartheid still roams but in a different form, with new and fancy terminologies. While real people still suffer, inequality rife and students can’t afford schooling. Everything is blamed on the white man; the patriarchy, apartheid, inequality, racism, no access to education – all him! It is a world that unsympathetic to the white man, it is even played for comic relief and features as a running gag, you’ll hear Simon saying “the white man has no feelings, everything is his fault” as a way to defuse the tension. It is a world that keeps kicking Professor Simon Whitehead in the head. He is in a cold, loveless and detached relationship with a woman who cheats on him with his Zimbabwean colleague. For the woman, the relationship is purely transactional, white man married to a colored woman, diversity, it’s good for PR. She won’t even say “I love you”, instead she says “do you need me to love you”? Eventually, they separate.
This is a brilliant play, the writing by Mike van Graan is the hero and the acting just world-class. The show has a lot, the characters have personality and the script wit. Shonisani Masutha is powerful, I loved her poetry and the emotion in her words. She plays a character from the township whose parents are deseased. She is angry and in protest – she demands change! Renate Stuurman plays the wife, she is harsh and insensitive at times, very antagonistic, could be because of her past, apartheid, her family was moved from Wynberg to the Cape Flats. Vusi Kunene plays the Zimbabwean colleague, his book launch is hilarious, it was chaos, there was protesting and the township girl undressed in front of everyone. Russel Savadier is Professor Simon Whitehead – I just felt sorry for the white man.
The scenes and the lighting are seamless and just flow. Totally loved the set, it is subtle, minimalistic and compact with three stages all in all, one to the left, one to the right and one in the middle that has retractable seats that can be pushed back inside. Hovering above the middle stage are signs that demand:
Decolonize education Free quality education
feesmustfall
Education is not a privilege Senzeni Na Fees with what money Asinamali Free education is possible
Congratulations Greg Homann and the whole team for a great show and a deserved standing ovation.
There is nothing better than a show at the Cirk. Janice Honeyman, panto, Beauty and the Beast – even better! I was excited for this show and it didn’t disappoint. It was grand, daring, dangerous and bold. From the moment you walked in, there was a circusy feeling. The mood was light, zany and fun. This was enforced through the colorful, upbeat and clown music. The set evoked the feeling of the circus with red and white curtains on either side and on top. Right in the middle was a painting of the performers performing in the circus. It’s a colorful atmosphere as exhibited with red noses and the eccentric costumes.
Nothing better than a show at the Cirk. The aerialists and acrobats are simply unbelievable! Devilishly dangerous, your heart is always in your mouth but you can’t look away because it’s breath-takingly beautiful. It’s jaw-dropping stuff, so graceful and done with a contagious smile that radiates. The acrobats were spinning in the air like tops, never got dizzy too, except for the evil ringmaster, he got dizzy and fell to his death. I have beef with the evil ringmaster, started off when he threatened to send my favorite character (the donkey) to the knackers for glue. After that I figured, he is not a pleasant fellow. The sound of his whip reverberates in the auditorium, it is menacing, threatening and a slaves worst nightmare. I love that the strongest man in the world was lifting weights over a 100000 kg, the audience were rooting for him to bend open the bars of the cage that Melodia Luna was trapped in and he did it, he saved the day! Everyone in the theater cheered.
Hoops, silks and ropes, the acrobats were swinging and flying all over the room. The best bodies in the world, with muscles in the right areas, defined, athletic and just olympic. It’s amazing how elastic and flexible they are – they do it in the air. God’s glory, mastery, hard word, dedication, for that moment, you slayed it! On the ground, there’s vocalists and dancers performing simultaneously. The vocalists have range and personality, they command your attention, they are the show! The show was interactive, as the audience, we got to do the Mexican wave led by the performers on the stage. They also asked questions and asked us to play and participate along. Perfect day at the theatre.
Directed by: Janice Honeyman Original score: Wessel Odendaal Set & lighting design: Wilhelm Disbergen
Starring Daniel Buckland as Malo, Claudia Moruzzi as Melodia Luna and Yahto Kraft as the evil ringmaster.
Congratulations Janice Honeyman and the whole team for a great show and a deserved standing ovation.
Joburg Theatre, the Bee Gees show, we came in a bit earlier, thought the show was at 7:30 pm. Oh well, being early never hurt anybody, relax, it’s chilly, it’s cold, let’s get some hot chocolate, the show starts at 8:00 pm.
We watched people enter, excitement, a turn out, while we were waiting for the show, “Across 110th street” is playing on the speaker, priming people for the experience. It was a fantastic show as expected. Showtime Australia the culprits, fingerprints all over. Incredible performers, they were totally in sync with us, the audience, even gave us 3 bonuses after we demanded for more, but that’s expected, how can you stop the show after “Staying Alive” – highly improbable. They also performed “You should be dancing”, “Tragedy, “Jive Talking”, Nights on Broadway”, “Night Fever”, “More than a woman”, “Spicks and Specks”, “Words”, “Massachusetts”, “Don’t forget to Remember” and other hits and classics.
Zac Coombs, Andre Behnke and Warren Vernon-Discoll are the incredible vocalists. I saw Prince on keyboards, the talented Dale Ray. The Electric guitarist was on super God mode, outstanding as usual. The drums, guitars, piano, keyboard, singing, everything was executed to great fanfare and engagement with the fans. Everyone delivered. Amazing show that encapsulates the spirit of the 60’s and 70’s, like a time capsule. Congratulations Showtime Australia and the whole team for a great show and a deserved standing ovation.
antakalipa 