Consciousness of culture

The good white

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The good white

Opening of “The good White” at the Market Theatre. I love the Market Theatre, the place was vibrant and buzzing. Even posed for a couple of pictures – press time.

A different perspective to the #feesmustfall and #rhodesmustfall movements. The story follows Professor Simon Whitehead, a senior ranking official of the University, his Zimbabwean colleague who plans to launch his book on Decolonization and his colored wife who also holds a high position at the University. It is set in a world of unrest and desolation, a world where the youth feel betrayed by the current system and the leaders that preceded it. Nelson Mandela preached “rainbownism”, he didn’t change anything, the systems of apartheid are still in place. Apartheid still roams but in a different form, with new and fancy terminologies. While real people still suffer, inequality rife and students can’t afford schooling. Everything is blamed on the white man; the patriarchy, apartheid, inequality, racism, no access to education – all him! It is a world that unsympathetic to the white man, it is even played for comic relief and features as a running gag, you’ll hear Simon saying “the white man has no feelings, everything is his fault” as a way to defuse the tension. It is a world that keeps kicking Professor Simon Whitehead in the head. He is in a cold, loveless and detached relationship with a woman who cheats on him with his Zimbabwean colleague. For the woman, the relationship is purely transactional, white man married to a colored woman, diversity, it’s good for PR. She won’t even say “I love you”, instead she says “do you need me to love you”? Eventually, they separate.

This is a brilliant play, the writing by Mike van Graan is the hero and the acting just world-class. The show has a lot, the characters have personality and the script wit. Shonisani Masutha is powerful, I loved her poetry and the emotion in her words. She plays a character from the township whose parents are deseased. She is angry and in protest – she demands change! Renate Stuurman plays the wife, she is harsh and insensitive at times, very antagonistic, could be because of her past, apartheid, her family was moved from Wynberg to the Cape Flats. Vusi Kunene plays the Zimbabwean colleague, his book launch is hilarious, it was chaos, there was protesting and the township girl undressed in front of everyone. Russel Savadier is Professor Simon Whitehead – I just felt sorry for the white man.

The scenes and the lighting are seamless and just flow. Totally loved the set, it is subtle, minimalistic and compact with three stages all in all, one to the left, one to the right and one in the middle that has retractable seats that can be pushed back inside. Hovering above the middle stage are signs that demand:

Decolonize education
Free quality education

feesmustfall

Education is not a privilege
Senzeni Na
Fees with what money
Asinamali
Free education is possible

Congratulations Greg Homann and the whole team for a great show and a deserved standing ovation.

Hidden giants

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Hidden giants

If only schools taught physics like the “Hidden giants” lecture. An out the box lecture with live original score by composer Yasheen Modi who plays the piano and violinist Siobhan Lloyd-Jones. The sound is immersive and the visuals by Darius Botha cinematic and bold. That lecture is so cool, it is an experience, it has life, it has feeling, it’s the type of show that makes you fall in love with science. Science for me at school was never that cool, if it were, I’d have a PhD in Physics. That’s how good I feel about Physics and the Universe right now!

Dr. Luca Pontiggia serves at the lecturer for the show. He simplifies the Universe for the common man. He makes it fun and strips away all the fear factor. It’s not intimidating, the visuals on the screen paint a picture, they tell a story. We learned so much about the nature of the Universe, it’s inception, how old it is and how it expanded. We learned about Isaac Newton and the gravitational force. We learned about Albert Einstein and the theory of relativity. We learned about Black holes, spacetime and the singularity. Black holes are dead stars that are dense who pull in everything in their orbit and Supanovas are exploding stars! The lecture is divided into 3 acts: The object, the minds and the image.

Act 1 explores the cycle of stars and violent forces that give birth to black holes. Act 2 explores the great thinkers like Newton and Einstein who conceived of these mathematical formulas that enabled a better understanding of our Universe. Act 3 is proof, Einstein’s theory of relativity is just that – theory. We need tangible evidence of a black hole, E.H (Event Horizon), Accretion Disc, Photon Sphere and the Singularity. Unbelievably, we get proof, we have a picture, Albert Einstein was right. We get this proof with the of help from lasers, telescopes stationed strategically all over the world, a dedicated team and supercomputers. This picture is everything, it’s a scientific leap, proof of the Universe and existence, something to build on in our understanding of string-theory and perhaps the big bang itself.

This is such a cool lecture, something you can watch over and over again. Pity it has a limited run at Joburg Theatre, everyone should see it – it has a lot of enthusiasm, the theatre was filled to the brim, literally every seat was occupied. The teaching is world-class and the music – out of this world! You don’t want it to end, you just want to learn and learn and learn. They made Physics and the Universe really cool.

Life and times of Micheal K

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Life and times of Micheal K

Just when you think you have seen it all, something you haven’t seen comes along and blows you away.

I was at the Market Theatre to watch “The Life and Times of Micheal K”, a novel by JM Coetzee adopted by Lara Foot. The story is told through puppetry and physical theatre. The story is of a man named Michael K, who along with his very sick mother make an arduous journey from Cape Town to her mother’s rural birthplace in Prince Albert amid a fictitious civil war during the apartheid era. To get there Michael K builds a shoddy rickshaw to carry her mother. Along the way they head into some trouble, they don’t have the right paperwork and permits and the little money they have gets confiscated by soldiers. His mother ends-up in the hospital and passes on. She is cremated. Alone, dejected, hungry and with nothing Micheal K carries on the journey to Prince Albert to scatter her dead mother’s ashes. Along the way, he is exploited for cheap labor and he goes through an intense starvation period. Soldiers also misidentify him as a rebel and keep him hostage but he survives and escapes finding his way back to his mother’s apartment in Cape Town. It is revealed that Micheal K has a deformity, a cleft lip and because of this deformity people tend to treat him like he is lesser, slow.

The story-telling with the puppets is amazing. The puppets mimiced the real life movements of humans. The puppet masters understand the human anatomy, how the leg moves and the bend of the knee when the foot touches the base. The movements of the puppets were realistic. Somehow the puppets even had facial expressions, a testament to their realism. Supplemented in was the voice-actors, they breathed in life to the puppets, the puppets were panting, moaning, laughing and just communicating like any other ordinary human being. The puppets moved the story. The manipulators worked in tandem to achieve the desired effect, double teaming in groups of threes or four per puppet to move the limbs, while others lend their voices and manipulated the torso and head. I loved how the goat puppet was manipulated, it moved like a real goat. My favorite scene was the swimming scene, it was so intense. The team chemistry is beautiful. They are deliberate, concise and work with care. Every movement has a purpose, every detail added to the story. With Kyle Shepherd on the score, the show is poignant and emotional. Story-telling techniques like deliberate silence were used to make the audience reflect and take in the significance of what just transpired. After a while, you even forgot about the manipulators, the puppets came alive and told the story.

That was an amazing show, story-telling perfection is my humble opinion. I loved everything about the show, the sets, the props, the lighting, puppets and the music. The 2 hours watching fly, because you are having so much fun. It’s a story-telling masterclass, it’s different, innovative and inspiring. Shout-out to the Handspring Puppet Company, those puppets are just awesome!

Basil JR Jones and Adrian P Kohler are the Puppet Directors

Puppet Masters are:
Sandra Prinsloo
Andrew Buckland
Faniswa Yisa
Craig Leo
Carlo Daniels
Roshina Ratnam
Billy Langa
Marty Kintu
Nolufefe Ntshuntshe
Markus Schabbing

Congratulations Lara Foot and the whole team for a great show and a deserved standing ovation.

The cry of Winnie Mandela

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The cry of Winnie Mandela

At the Market Theatre to watch “The cry of Winnie Mandela”. If you had the opportunity and honor of asking the mother of nation a couple of questions, what would they be? Stompie? TRC? Mandela FC? Her 400+ days in prison? Why her union with Nelson didn’t last and what could she have done better if anything?

The show starts off with a writer thinking out loud, watching a news bulletin about the murder of Stompie. It is alleged that the Mandela FC team kidnapped and murdered him. There’s uproar and chaos considering Mandela FC is Winnies team. “She changed, she’s not the same person. She used to be warm, empathetic and compassionate, but now I don’t recognize her” – these are some of the sentiments expressed from the screen from commentators. The writer is in a room, he is thoughtful, he wants to write Winnies story from her vantage point. Then four african women appear from his imagination. They are real women, full of personality and quirks. They are humorous, they give the show color, range and dimension. The four women share their stories with the crowd about how their husband’s left and they are still waiting. The stories are personal and emotive, they test their resilience, resolve and character. The crippling angst of loneliness, one woman explores Can Thembas “The Suit” set in Sophiatown about a woman who commits adultery. She too flirts with the idea of committing adultery. One of the women is easy prey for a young man who targets her because she is isolated and alone, they engage in casual intercourse but it stops when the rumors in the townships start circulating. One of the ladies man leaves her for a white woman after she was his backbone, supporting him and his dreams. The women call out the double standards, would he wait for her if she left? The ideas of patience, commitment and resilience are put through a microscope. The ladies want to know how Winnie was able to do it. They play a game which results in Winnie Mandela magically appearing. The ladies are awestruck and commence showering her with questions. Questions about her and Nelson, the TRC, her days in captivity and her secrets to resilience. She answers them with a lot of personality. The last image of the play is off a quote about her being happy with everything and how she would never change anything.

The show is simply wonderful. The performers are real, familiar and relatable. It was easy to connect with the characters because they made themselves vulnerable so early on. The interactions with each other on the stage felt natural. You knew the characters on the stage, they felt alive. Language was not a barrier, words from other languages was borrowed for expression and authenticity. It was not language for the sake of form but language for expression and the story world. When the performers performed, their faces lit up. They fiercely delivered their monologues and sang with a lot of passion and love. The lighting was cool, I saw one detail that blew me away. On the floor you could see the reflection of a window. The show is simply irresistible!

Les Nkosi plays Prof. Ndebele (writer) , Rami Chuene plays Mannete, Ayanda Sibisi plays Delisiwe, Pulane Rampoana plays Mamello, Siyasanga Papu plays Marara and Thembisa Mdoda-Nxumalo plays Winnie Mandela.

Congratulations Momo Mansunyane and the whole team for a great show and a deserved standing ovation.

Taylor Swift

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Taylor Swift

I always liked Taylor Swift, especially in her country days. My earliest experience of her music was “Speak Now”. It has one of my favorite songs of all time “Never grow up”, an acoustic guitar-led ballad about time, youth, growth, nostalgia, life. It’s beautiful and personal, it always made me reminisce about my life, my experiences, my childhood, simpler times when everything made sense. The lyrics are so descriptive and vivid, the guitar strings you along the different perspectives. How I wish I lived in a loop where youth is forever, time stands still and the smiles lasted an eternity. It’s an emotive song, it’s tragic, life goes on and we all grow up. The album also contains “Mine”, “Sparks fly”, “Dear John” and another favorite of mine “Mean”. Her writing always distinguished her from everybody else, she writes with a lot of feeling and from real life experience, you feel her words anchored in reality. I always liked Taylor Swift and when she released her fourth album “Red”, I went to the music store and purchased the CD. I loved “Red”, it had “Starlight”, “Begin Again”, “Everything has changed”, “Sad beautiful tragic”, “The Last Time”, “Holy Ground” and “Stay, stay, stay”. It also had your chart toppers like “22”, “I Knew You Were Trouble” and “We Are Never Ever Getting Back Together”. It was great album, still love this album to this day, my last Taylor Swift album, I lost touch after “1989”, ironically, that’s when she really took off! She’s an icon now, selling stadiums is easy, topping charts is a given, platinum records automatic and four “Album of the year” Grammy awards – no one has ever done that period.

I always liked Taylor Swift, she’s the biggest gangster in the game, when she releases an album everyone else changes their release dates. She re-recorded her albums because the record company was playing hardball with her masters – ownership, they will never give you what’s due to you, exploitation is the name of the game. She took her publishing and re-recorded the music so she can own the masters. She redistributed the music as “Taylor’s version” and they sold better than before. She is the first billionaire with music as the primary source of income. The lesson? Ownership will make you a Billionaire. 14 Grammy awards and just about every conceivable award in music – Taylor Swift, the biggest gangster in the game.

Showtime Australia is having a Taylor Swift tribute show of different eras at the Joburg Theatre in April and Bronwen invited me for a meet and greet with the star of the show, Josette. She’s leaving for Australia in a couple of days to prepare for the show so it was imperative that I meet her. She’s pretty and she loves Taylor Swift. Her first experience of Taylor was at home on the internet, her broadband disappointing, she could only stream the first 15 seconds of “Teardrops on my guitar”, so she played it over and over again. Her favorite album is “Fearless” and the self-titled album. I love the fact that she has been with Taylor from the very beginning. The show is a blend of different eras, we had different costumes that dazzled with sequins to illustrate this. From the country days, to Red, to her current era. All in all, 7 eras, the show promises to be a great one. She’s enthused, there’s a sparkle in her eyes, she’ll be performing the music of a cultural icon and she’s still alive, Josette knows she has to bring it, there will be an expectation. She explained that she won’t go out of her way to be Taylor Swift, that’s not possible, she’s still alive, selling out stadiums in the process – no one is expecting that, she will perform as authentically as she can embodying Taylor’s stage presence and mannerisms and honoring her in the best possible way. It’s a tribute show of a cultural icon, one of the most influential people in the world, the biggest gangster in the game and Showtime Australia is behind it. This is going to be a great one, I can feel it.

My Fair Lady

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My Fair Lady

Opening day of My Fair Lady at the Teatro, my first time, the theatre is exquisite, what a beauty! I asked Sam if “bestest” was a word after the show, she replied “no but it’s usable”. Greenlight, the show is amazing, somehow “best” is not enough, I need another “est” to transcend this post. It’s simply a perfect show, no flaws, no imperfections, just your definition of excellence. From the acting, to the lighting, choreography, script, sets, orchestra and the Maestro, singing, props, costumes, feel, mood, everything. It is story-telling at the highest level. A witty musical that had the audience laughing all the way through. The story follows Henry Higgins who believes accent and English can get you to the very top of society. Just maybe “bestest” is not a good idea for this post. She meets a meager girl, with a strange accent, Eliza Doolittle and makes a wager with his friend Colonel Pikering, a fellow phenetics expert. He wins, he’s right, with Henry Higgins help, Eliza ends up dancing with a foreign prince at the ball. Things started coming right after “The rain in Spain”.

Craig Urbani who plays Henry Higgins deserves special praise for his performance. He is unbelievably great! He commands the show, the acting is out of this world. He has incredible range, he can make you laugh, he can make you sad, he sings, he dances, he acts, he is incredible. His viewpoint on women makes me laugh, he doesn’t understand them, he wants to know, why can’t they be like men, why can’t they just be like him. He covers how women ruin lives on “I am an ordinary man”, a humurous piece that had the audience laughing out loud.

Graham Hopkins is a legend, he plays Colonel Pickering, like Craig, he does everything, he is humorous, he is engaging, he is superb! Leah Mari who plays Eliza Doolittle is amazing, unbelievable, the singing is outstanding, the acting top-class and she’s just gorgeous! It would be a great injustice if I left out Mark Richardson who played Eliza’s father Doolittle, he is on the same level of the other cast members, he too is great on every front.

Music by Frederick Loewe
Musical direction by Kevin Kraak
Designed by Greg King
Choreography by Duane Alexander
Sound Design by Mark Malherbe
Lighting designer by Dennis Hutchinson
Original Costume Designer Neil Stuart Harris
Costume Co-ordinator Martha Visage
Additional costumes Andrew Botha

Congratulations Steven Stead and the whole team for the bestest show ever and a deserved standing ovation.

ABBA

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ABBA

Money, money, money, must be funny, in a rich man’s world. Money, money, money, must be sunny, in a rich man’s world. Yet another great production from Showtime Australia, yet another great pass from Bronwen and B-Sharp entertainment.

I was at the opening of the ABBA Dancing Queen concert hosted by Joburg Theatre. It was Abbasolutely Fabbaulous! I was with Sam and Mia, big fans of ABBA and it’s easy to see why. They were excited about the show but it was not just them. The excitement was in the air and it was contagious! Everyone was excited for this show. The atmosphere was 70’s like, with disco balls and retro music playing in the background before the show commenced. Everyone was in their 70’s outfits, sequins and sparkles were everywhere, it was dazzling! A full house, I love the Joburg Theatre, the experience was memorable. When we finally got inside the auditorium, there was an expectation. We were primed with classics from Micheal Jackson and the Village People – everyone was singing YMCA and that’s before the show! When the show finally commenced it exceeded all expectations. The lighting, the band, the performers, the costumes, it was all grand, we were in the ABBA world and it was awesome! The audience couldn’t stop singing and dancing. The show is interactive, the performers led the songs we were singing and encouraged us to let loose. The show was simply outstanding! Some of the songs performed were Dancing Queen, Waterloo, Gimme, Gimme, Gimme!, Mamma Mia, Take a chance on me, SOS, Money, Money, Money, Knowing Me, Knowing You, Fernando, Thank for the music and other timeless classics! I loved Money, Money, Money, the performers encouraged the audience to participate and we all sang at the top of our lungs. The last song of the program, ” The Winner takes it all” was truly epic, it was mezmarrizing, it was fire – Dracarys!

Jessica Driver is Agnetha Falskoy, Andre Behnke is Benny Andersson, Jimmy James is Bjorn Ulvaeus and Giverny Allen is Anni-Frid Lyngstad. I even saw familiar faces from previous shows produced by Showtime Australia like Dale Ray who was Prince, I see you and Hi Nadine, she was in the Micheal Jackson HIStory Show! Outstanding show, we couldn’t get enough of it! Everything is perfection, from lighting, cheography, music solos, the singing is just out of this world – no hyperbole, go see for yourself, I’ll put my reputation on the line!

Congratulations Showtime Australia and the whole team and a deserved standing ovation!

the assembly improv show

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The Assembly Improv show

Improv – make something up, think on the spot, go with the flow, zen, Bruce Lee, be like water, be formless, quick witted, puns, irony, sacarsm and it has to be humorous! Let’s break the fourth wall, you there, yes you reading this, listening to this, yes hi, happy new year, acknowledge me, make things easier for yourself, I am not going anywhere.

On the square for the Assembly Improv show, filled to the brim, full house. Was with SamSays, it was a great show, unpredictable, spontaneous, quick witted and so funny. We couldn’t stop laughing, we were entertained from the first minute to the last. What I found to be most effective in Improv, is calm. You have to let things process, be in the moment, respond not react. Reactions are filled with anxious energy and that’s not humorous because you bulldoze the act and spoil the tone of the scene. Relax, let other performers have the spotlight. You don’t have to be in every scenario. Listen – don’t bulldoze and overpower others. Anxiety is nervous and not sure of itself, it roams around everywhere, attempts to do everything, please everyone, and it ends up having the opposite effect because it hinders the performance of the other performers to flourish. Calm is controlled, it exudes power, charisma and assurance. When you are calmer, you can be playful and ironic and your punchlines carry more weight. You listen to respond and not to strengthen your view. There were moments of calm and anxiety in the show. I understood the anxiety, entertaining a full house can be exhausting and emotionally draining. It was still a great show, light-hearted, filled with humor and completely unexpected. The show comprised off 6 acts. They improvised about chicken, boyfriend builders, being a little gay, earthworms and burning your mother’s tyre’s.

I loved the two sisters of Case Closed, Megan and Tash Casey. They had a lot of chemistry and complimented each other. They were quick witted, quirky and humorous. The girls of Mechanics of Chaos were simply outstanding! They stole the show, the audience couldn’t stop laughing, they were totally in sync, they complimented each other, they built on each other’s scenes, they listened and added to each other’s scenes, they stuck to performing the scenario the audience gave them; the boyfriend builder and they looked like they were having a lot of fun. I loved them because they were not searching for laughs, anxiety was not a factor, they were in the moment, they loved performing for the audience and it reflected with their performance. Shout-out Itu Chiloane, Mmasehume Raphiri, S’bahle (Sparkles) Hlophe, Sonia Mayor, Tafadzwa Chakanya, Unathi Shongwe and Zanele Sokatsha for a wonderful set. Shout-out to everybody, the gradient, the off cuts and thirst trap. Thank you Daphne Kuhn and the team for the whole experience. Yet another one from Bronwen and B-Sharp entertainment – thank you. Congratulations to The Assembly Improv show and a deserved standing ovation.

Michael Jackson

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Michael Jackson

I love Prince but Michael Jackson is the king of popular culture. That’s big, he defined an entire generation and transcended it for future generations. To this day, no one has had a bigger influence. Selling records was easy, literally the best selling artist of all time with sales of over 500 million worldwide. Inducted in the Rock n Roll hall of fame twice, the National Rhythm and Blues Hall of Fame, the Vocal Group Hall of Fame, the songwriters Hall of Fame and the Dance Hall of Fame. That’s not all, 15 Grammy Awards, 39 Guinness World Records and lauded as the most Successful Entertainer of all time, period. Over a four decade career, his world record music achievements and publicized public personal life made him a global figure. His songs, stages and fashion proliferated visual performance for singers in pop music. His innovations changed the music video as an art form and popularized street dance moves including the moonwalk and the anti-gravity lean. His mere presence would send fans tumbling on the floor in concerts without him doing anything. Before even the shows commenced, paramedics would be heavily staffed and working hard attending to fainting fans tumbling on the floor. Jackson himself would be just standing on the stage like a statue amidst the hysteria and fans screaming at the top of their lungs. He didn’t have to do anything to elict a response from the crowd, his aura was more than enough, it was God-like and when he did perform, you understood why he was hailed the king. My first experience of Michael Jackson was “You Rock My World”, it was paradigm altering, the video with Chris Tucker was the greatest thing ever! It was so cinematic and grand. The story-telling, the fight scenes, the music, the dancing, it blew me away! Hooked, transfixed and mezmarrized with just the first listen. It was a movie. “You Rock My World” was awe-inspiring. It was my standard for a while until I worked backwards and discovered “Thriller”. I love Prince but Michael Jackson is the king of popular culture, the greatest performer period and that’s not even hyperbole. I’d like to go on record and apologize, I was too excited, “Purple Rain” is not better than “Thriller”, they are both art, both exceptional, executed by two of the greatest artists of all time.

I was at the opening of the Micheal Jackson “History show” concert at the Lyric Theatre at Gold Reef City. The lyric theatre is beautiful, those chandeliers take my breath away. Everyone was infected by the spirit of Michael. Gloves, sunglasses and white shirts were the order of the day. Outstanding show, Showtime Australia delivers yet another masterclass. Garth Field is super talented. He is the reincarnation of Micheal Jackson. He has stage presence, his aura is commanding, he moves like Micheal, sings like him, dances like him, drips of the King of Pop – he is the king of pop. Thank you Bronwen for the invite. First Prince and now Micheal Jackson, you have made my year. Never in a million years did I think I’d see Michael on the stage but it happened and it was like a dream. It was glorious. Sam said I’d love this one and she was right. SamSays on the credits. I was excited for this one weeks prior, I mean Micheal Jackson, the greatest performer of all time – it’s not even hyperbole. Garth did Micheal justice. Everything was Micheal Jackson standard, the show was perfection. From the lighting, the band, the stage, the sets, electric guitarist, the costumes, backup singers, Nadine, dancing, singing and the cheography. The dancers on the stage were simply unstoppable! Unbelievable chemistry and high energy, in sync and well coordinated like a military drill. The electric guitarist is legendary, I loved the solos. Everyone was amazing! Now I have the experience of being in a Micheal Jackson concert and there’s nothing like it, it is glorious. Every hit was masterfully executed on the stage by Garth Field and the team, from “Bad”, “Beat It”, “Thriller”, Smooth criminal”, “Don’t stop till you get enough” “Black and White”, “The way you make me feel”, “Human Nature”, “Billie Jean”, “Earth song”, “Man in the mirror”, “Heal the world”, “Rock with you” “and many other classics. We also had Jackson 5 hits. Every performance was my favorite, Garth is incredible, he is Michael Jackson! It was a Rock and Roll day and once again guitars prevailed. The audience loved the performances, we couldn’t stop dancing and singing. I almost died with happiness when I saw the anti-gravity lean, I saw it live but I still couldn’t believe it. The moonwalk is still the most legendary dance move ever! Probably the greatest concert I’ve ever experienced. They left everything out on the stage. Maybe I wasn’t the greatest Michael Jackson fan but I am after today. Congratulations Showtime Australia and the whole team and a deserved standing ovation.

Young Proust

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Young Proust

Young Proust moving with the times,
rolling,
trying out new combinations,
conquering different nations,
winning,
seeing the same results.

Still with the petty insults?
Flipping overboard to land me like moonsault.
Your punches are too light to be assault.

Reality is weird isn’t it,
cause one moment its there and the next it’s gone,
discombobulated,
entropy,
destruction.

Young Proust remains,
Tea and madeleines the basis of what remains,
Life-bearing and conclusive to get your mama laid.

Young Proust moving with the times,
I’ve been here since day one and I am never gonna stop.
Young Proust consistent and always on top.

Acknowledge Me,
make things easier for yourself,
I am not going anywhere.

Young Proust moving with the times,
Every day is my time,
I am the greatest of all time.