Siyasanga Papu | antakalipa

Ka Lebitso La Moya

At the Market Theatre for the opening of Ka Lebitso La Moya. Winner of five Naledi Theatre Awards including best production in a play and best director for Momo Matsunyane.

We open in Ha Satane, a fictional township rife with with despair and hopelessness. Unemployment, crime, no service delivery, no electricity and no water. The residents take to the streets protesting, looting, demanding a change and the head of the current counselor.

Inside the Evangelist Church of Christ is where we find hope. The church serves as a pillar for the community. We are in the church serving as congregates. There is singing and praise for our lord and savior. The mood is festive and in high spirits, jubilation reigns. Ka Lebitso La Moya serves as a greeting for the congregation, a form of endearment that connects and unites. The pastor is charismatic and has women congregates vying for his attention. He is almost lured with Chakakalaka by an admirer but the pastors wife intercepts and stops things from going far. The pastor plans to be a counselor for Ha Satane considering his good standing in the community. This is a facade, he is a man of dubious character, a false prophet lying to his congregation with impunity, grooming underaged girls at church. He uses his power to manipulate an underage girl to call him “daddy”. A love interest of his son. After having his way with the underage girl (rape), he is cold and distant, instructing the girl that he is not his “daddy”. The girl is in a mess, she’s not the same, once a lead in the choir. She becomes a shell of who she was. She is troubled, broken and completely out of it. His son finds out about the relations between his father and love interest and decides to poison his father but he ends up poisoning his love interest instead.

The play is a humorous, fast paced and relatable musical that depicts life in the township. Josias ‘Dos’ Moleele plays the pastor, he feels familiar, his mannerisms and conduct mimics a stereotypical pastor in the township. Ka Lebitso La Moya, he is a preacher, a shapeshifter, a deceiver, he loves women and he exhibits preditory behavior. He won the Naledi for best actor for a reason, his performance is captivating and supremely entertaining. He is your definition of a false prophet and he knows this and is unapologetic about it, profiting and showing no remorse.

Siyasanga Papu plays two characters, one of the characters, the pastors wife. The most amazing singer in the program, she beats them all!

The other actors are amazing too:
Sibusiso ‘Black’ Madondo
Khutjo Green
Zevangeli Mampofu
Chrisophocus Seboka

The pianist Tshepo Dean is emphatic, he sets the mood, he is the pulse, he seamlessly moves from scene to scene, he feels, he has range, he is totally in the story.

Ka Lebitso La Moya! This is an amazing play! We were in Church. We even stood on our feet to the choir girls demand and sang with her, she picked two people from the audience to come on stage and sing and dance with her. It was an experience, it was realistic. Conversations in Sesotho, Tswana, Xhosa, Venda and English because we are in the township. Conversations free-flowing and naturalistic. The characters had character and personality.

Ka Lebitso La Moya! I loved everything about this play.

Congratulations Momo Matsunyane and the whole team for a great show and a deserved standing ovation.

The cry of Winnie Mandela

At the Market Theatre to watch “The cry of Winnie Mandela”. If you had the opportunity and honor of asking the mother of nation a couple of questions, what would they be? Stompie? TRC? Mandela FC? Her 400+ days in prison? Why her union with Nelson didn’t last and what could she have done better if anything?

The show starts off with a writer thinking out loud, watching a news bulletin about the murder of Stompie. It is alleged that the Mandela FC team kidnapped and murdered him. There’s uproar and chaos considering Mandela FC is Winnies team. “She changed, she’s not the same person. She used to be warm, empathetic and compassionate, but now I don’t recognize her” – these are some of the sentiments expressed from the screen from commentators. The writer is in a room, he is thoughtful, he wants to write Winnies story from her vantage point. Then four african women appear from his imagination. They are real women, full of personality and quirks. They are humorous, they give the show color, range and dimension. The four women share their stories with the crowd about how their husband’s left and they are still waiting. The stories are personal and emotive, they test their resilience, resolve and character. The crippling angst of loneliness, one woman explores Can Thembas “The Suit” set in Sophiatown about a woman who commits adultery. She too flirts with the idea of committing adultery. One of the women is easy prey for a young man who targets her because she is isolated and alone, they engage in casual intercourse but it stops when the rumors in the townships start circulating. One of the ladies man leaves her for a white woman after she was his backbone, supporting him and his dreams. The women call out the double standards, would he wait for her if she left? The ideas of patience, commitment and resilience are put through a microscope. The ladies want to know how Winnie was able to do it. They play a game which results in Winnie Mandela magically appearing. The ladies are awestruck and commence showering her with questions. Questions about her and Nelson, the TRC, her days in captivity and her secrets to resilience. She answers them with a lot of personality. The last image of the play is off a quote about her being happy with everything and how she would never change anything.

The show is simply wonderful. The performers are real, familiar and relatable. It was easy to connect with the characters because they made themselves vulnerable so early on. The interactions with each other on the stage felt natural. You knew the characters on the stage, they felt alive. Language was not a barrier, words from other languages was borrowed for expression and authenticity. It was not language for the sake of form but language for expression and the story world. When the performers performed, their faces lit up. They fiercely delivered their monologues and sang with a lot of passion and love. The lighting was cool, I saw one detail that blew me away. On the floor you could see the reflection of a window. The show is simply irresistible!

Les Nkosi plays Prof. Ndebele (writer) , Rami Chuene plays Mannete, Ayanda Sibisi plays Delisiwe, Pulane Rampoana plays Mamello, Siyasanga Papu plays Marara and Thembisa Mdoda-Nxumalo plays Winnie Mandela.

Congratulations Momo Mansunyane and the whole team for a great show and a deserved standing ovation.