Perfect show, a great theatrical experience. I loved everything about the show. It’s bursting with with imagination. It is grand, magical, energic, interactive, vibrant and refreshing. It is a show that has a lot of enthusiasm, from the diverse cast, the multiple sets that keep on changing, the costumes that transport you to that world, outstanding lighting, the amazing sound and sound effects, the singing, dancing and cheography, the rich story world and mesmerizing performers on the stage. It is so humorous and entertaining, I was hooked from the first moment to the last. The songs had the audience singing along. We even sang Shosholoza. The timeless story of “Beauty and the Beast” is revamped and given more color, it has a South African context, it has personality, it is memorable. Gavascon is my favorite character, he is brash, vain, narcissistic and has that Jonny Bravo “I am pretty” aura. The “macho, macho man”, it’s hard to be humble when you are perfect. But of course, he does give everyone indigestion, heartburn and stomach complications. Last infamous words of his first appearance, “They eating the dogs, they eating the cats”, I thought that was funny. The sound effect when the beast was talking, it was raucous and deep, he growled, he was thundering, he was menacing. The witch is really a witch. She flys on her broom, casts spells and has the most wicked laugh. She is diabolical, she shot the audience with her snort gun and turned the prince into a beast. I can’t believe her assistant ate her snort, proclaiming it’s protein. That was nasty. She really doesn’t give a damn about a bad reputation. Beauty is just refreshing and so beautiful. I loved the donkey, the movements, very donkeylike, comedic and talked a lot, reminded me Shrek. Mama (Fairy god mother) and Bonnyface are charming and relatable, very South African too, uses words in the South African lexicon, like kleva, Soweto and mfanawami. Mama is eccentric, she keeps watch over the story and makes sure everyone sticks to the script of the story. I Loved when Mama, Bonnyface, Beauty and the Dad performed the “friends” theme song. That was nostalgic. The 3 sisters are funny, whinny and an echo. It was great to see the beauty of the ballerina and the character with the bread on his head and torso was very peculiar. Not sure what he was. So I went to Sam and she clarified, Monsieur Brioche, a sweet French bread. Thank you so much Sam. SamSays on the credits. I loved everything about the show. The costumes, lighting and sets are truly epic. I can’t wait for Pinocchio next year, a real favorite of mine. Congratulations Janice Honeyman and the whole team for a great show and a deserved standing ovation.
Just about the greatest thing I’ve ever seen. Story-telling on another level. Outstanding show, amazing performers. They were filled with enthusiasm and outflowed with energy. They were relentless on the stage, they were always moving, doing something, complimenting the current act, serving out sound effects, being props – I am not surprised they were sweating. Absolutely no set, just an empty stage and they created magic. Effective story-telling is centered around the premise of showing not telling. The show is a prime example of that premise. Since there is no set, the performers imitate the sound of props. From vacuum cleaners, matches, chairs streetching on the floor, cars, doors, just about everything. The show also has a catchy soundtrack that is sang by the cast members to indicate that time has past or a change of scenes or tempo. It’s literally like watching a movie on stage without the sets and big budget. They paint a picture so effective with the mimicry of props and their sounds and their movements on the stage. The performers are in sync, they work well with each other and assist each other all the way through. Every scene is clear and vivid, it’s descriptive and rich in detail. The transition from scene to scene is seamless, it just flows, it doesn’t even matter that the performers, perform multiple characters. All gents cast and they managed to play ladies, comical but convincing too, they captured the essence of being a woman. It’s unbelievable how they played so many characters effectively. The show is supremely entertaining and funny. It captured the human condition beautifully, they imitated life on the stage and it was artful. The performers are expressive, they make use of the stage to perfection, jumping, running, crawling all about. They have energy. They are full of life. They are humorous. It’s difficult to look away, they are captivating and the different characters command your attention. I have to say Mr. Naidoo is exploitative. Paying someone half-price because he is shorter is ridiculous.
The show contains a three act structure and the hero has an redemptive arc at the end. A story of a man fleeing home owing to sexual abuse by his father. The depiction of this sexual abuse is tasteful and not vulgar and forceful. Instead a container of “Baseline” (Vaseline) is held up for the audience to see, this communicates what is transpiring in the scene. An effective way of saying something, without really saying it. It’s suggestive and effective and works well considering the sensitivity of the subject matter. After the hero flees from home, he gets a job working at a Coal mine and later meets a girl he falls in love with. Traumatized by his father’s sexual abuse, he has a problem performing and ultimately the girl looks the other way, searching for greener pastures. The story comes full-circle when the hero comfronts his father now in prison for his sexual abuse. The story is told by committed actors who are creative and have a lot of range in their arsenal. They love what they do, they were having the time of their lives on the stage. The tone is easy-going and relatable for the average South African of color. No need for fancy dialogue and words, a mixture of “vernac”, “tsotsi taal” and English will do. The lighting of the show is incredible, it too tells and moves the story. Powerful piece of theatre, so artistic and satisfying.
My hat goes off to the performers, Diphapang Mokoena, Tumelo Mokoena, Abongile Matyutyu and Mbovu Malinga, one word – unbelievable! Amazing creatives who literally created magic on the stage. Also, well done to Nomvula Molepo, the lighting designer who helped the artists create this magic. The lighter was gorgeous! SamSays on the credits, another great one Sam. Thank you for sending me out to review this masterpiece. Congratulations Prince Lamla and a raucous standing ovation.
Micheal is pretty great but if I had to choose, I am going with Prince. Prince inspired Nas, Kendrick Lamar, Bruno Mars Alicia Keys and Beyonce, he lives in their music. He is entrenched in the fiber of popular culture. I am going with Prince because of Eddie Murphy on “Coming to America”, they made a sequel 30 years later and his music still served as a soundtrack to the movie. He makes timeless art, art about love and beautiful girls. Going with Prince because of Electric guitars and ’80 synthesizers. Going with Prince because of “When Doves Cry”, still one of my favorite songs of all time, it gets me in the mood, I can’t help but to dance to it. Going with Prince because he was an amazing creative who in addition to serving as the lead vocalist, produced all his music. No seriously, Prince did everything! He played all the instruments, I am talking guitar, drums, sax and organs. He also chereographed the moves you see on stage. Going with Prince because his music was futuristic yet retro. Contradictory? Juxtaposition? Nah, listen to the music and you’ll understand, it never goes out of style. Going with Prince because of my two EPs, “Projections” and “the hero”, if I were to create a full length LP, it would have a Prince influence, I’d be over the top, talk about love and guitars would dominate. Going with Prince because of “Purple Rain”. “Purple Rain” is “Purple Rain”, self-explaintory, one of the greatest albums ever made and millions around the world have been conceived to it. Going with Prince because of his style, the androgynous sensitive artist and how his music makes me feel. I feel happy, I want to dance and I feel enveloped by love. Prince because I am a romantic. Prince because of “The most beautiful girl in the world”. Prince because of 1999! Prince because “Purple Rain” is better than “Thriller”. Opps! Don’t mean to be inflammatory, this is just one man’s opinion. I love Micheal, but if I had to choose, I am going with Prince, Prince is closer to my spirit.
Joburg Theatre hosted a Prince concert today, Sam put in the through ball and I finished off the move. Outstanding show! Amazing performer Dale Ray is. He is Prince in every sense! He sang like him, he danced like him, he even played all the instruments! No kidding! He played the Electric guitar, piano, sax, keyboard, drums and danced throughout. Great stage presence, he interacted with the audience and made us feel like we were a part of the show. I can’t believe it! I went to a Prince concert! It had all the enthusiasm, the lights, the band, screens, amazing sound, cheographed dancing, beautiful lady back-up singers and I was in unison with the crowd when we sang! It wasn’t a dream, it was live. We were on our feet, some on their knees and we sang to the top of our lungs and Prince himself validated and acknowledged our presence! Prince himself lead us into these songs. Dale Ray is Prince, he is Prince in every sense! “When Doves Cry” was second on the program, “I Would Die 4 You” somewhere, “Kiss” there, “Cream” of course, other classics and “Purple Rain” last, we should have demanded an encore, to stretch the moment a bit longer, stay in that spirit, dance and sing the whole night away. Congratulations to Showtime Australia for an amazing concert and the whole team for a great concert. Unforgettable. Memorable.
Well, I didn’t expect that, so many twists and turns. I really thought Mr. Vole was innocent, I thought he was set up for sure. He pleaded his case with defiance. There’s no ways he could have murdered Mrs. French in cold blood, she was his friend. So what he inherited all her money and was looking at boats the week before her death. These things happen, besides death comes for all of us. Yes, Mr. Vole is a young handsome man with his whole life ahead, is unemployed and had everything to gain from Mrs. French’s death but it’s lazy to label him a murderer. He could have been framed. I was suspicious of everyone earlier in the play. Myself and the gentleman sitting next to me were not convinced of the charge brought against Mr. Vole and when his devoted wife Romaine, was called up as a witness for the prosecution, the alarm bells rang louder. The beautiful foreign girl lied to the jury and was a poor alibi. Instead of helping her husband, she made things worse! She fabricated details whilst his husband was protesting. I felt sorry for Mr. Vole, he vehemently protested his innocence, he was sweating, he was lively, active, on his feet, letting the jury know that he did not kill Mrs. French. That’s when I knew that he was innocent and that it was his wife Romaine who had murdered Mrs. French, the gentleman next to me concurred. Romaine played by the super talented Sharon Spiegel-Wagner is clearly a femme fatale, she oozes sexuality, is dressed in red and when we are first introduced to her, smoke is released from the stage and she makes her grand entrance, music in the background and she takes her sweet time walking. She’s a siren, a real work of art, it’s easy to see why “Leonard kisses the ground she walks on”. She strikes me as the murderer because of the fact that she’s a foreigner and her dubious character. It’s also revealed that she is not even married to Mr. Vole, she’s actually a Helm, still married to her husband living in Belgium. I disliked Romaine more and more as the play went on, a big cognitive dissonance. Sir. Wilfrid played by Graham Hopkins and his junior counsel John Mayhew played by Craig Jackson work exceedingly hard to prove Mr. Voles innocence. They succeed as the jury deliver their verdict – NOT GUILTY! But there’s a twist, it turns out he was guilty and his wife knew, she protected him and fabricated evidence to get him out of the hook earning charges of perjury in the process. That’s not all, it turns out Mr. Vole has a blonde mistress she was planning to elope with, leaving Romaine behind. In a heated exchanged, Romaine stabs and kills his husband. All this happens while still in court with Sir. Wilfrid and his assistant watching in the distance. So in addition to her perjury charge, Romaine will also be trialed for the murder of her husband Leonard Vole.
Unbelievable show! I didn’t know where to look, what to expect. Shocking! Thriller! Drama! Suspense! Agatha Christie is a master, great show. Respect to Graham Hopkins, a true legend, his acting was a masterclass, how he delivers his words, the accent, his posture, mannerisms and stature, it was his show, everything revolved around him, he killed it! Shout-out Peter Terry who plays Mr. Justice Wainwright and Mike Huff as Mr. Myers.
I thought the show had Dostoevsky’s “Crime and Punishment” influence. It’s centers around the same topics, murder and human nature. It’s clear I don’t have a clear understanding of both, I thought Mr. Vole was innocent despite the overwhelming evidence against him. Dostoevsky’s character Raskolnikov, doesn’t murder to inherit a fortune, he murders in cold blood because he is vile, ugly and because he can. He murders because he is in a position of power over the elderly woman, because he doesn’t see the use of the elderly woman living, because God won’t stop him. Dostoevsky documents Raskolnikov’s psyche, he is in a mess, he is haunted, he can’t sleep, he loses weight, he is sick, he is overwhelmed with guilt – the magistrate in charge of murders and equipped with a shrewd understanding of criminal psychology sees all of this, he torments him with his appearance, questions, he sees right through him. Ultimately Raskolnikov confesses and hands himself over. Leonard Vole didn’t exhibit all of this behavior, could he be a sociopath? Stories like this teach you a lot about human nature, it’s interesting to contrast them. “Witness For The Prosecution” is a thought-provoking show that depicts how absurd the human condition is, Albert Camus would be so proud.
I am not going to act like Sharon Spiegel-Wagner isn’t my Achilles heel, she’s the best and she delivered yet again. If I had my way, I’d see her every day. She’s an incredible, amazing, beautiful, talented woman and the show is exhibit A. She performs at a high level and everyone shines. Graham Hopkins and Craig Jackson are the pulse, they hold the show together, some of the shows best dialogue comes from them, they have amazing chemistry and synergy. Greta, played by Dianne Simpson was one of my favorite characters, she was amazing and funny. Brett Kruger as Leonard Vole is excellent. The show was well-written, the performers were amazing and the direction and lighting perfect. The lighting and smoke was pretty awesome! It’s an experience, I felt like I was in that courtroom. I loved that the set was not fixed, it kept on changing, that was appealing to my eyes and it helped with the mood that the director tried to evoke and convey. Some actors committed to double shifts, playing more than one character, wow, the mastery you have to achieve to do that, unbelievable craftsmanship. Congratulations to Alan Swerdlow and the whole team for a great, great show and a deserved standing ovation!
Award winning actor Shannon Esra plays a character who is a one-breasted, menopausal, Jewish, bisexual lesbian mother. The play is a woman’s humorous and moving encounter with relationships, parenthood, cancer and her ever-changing self. Unbelievable performer! She is pretty great! Captivating, entertaining, a real master of her craft. Quite clearly she has mastered the art of storytelling. She is lively, animated, expressive, has heart, and made use of the stage to perfection. It didn’t matter that the set was minimal, it was all about her, her story, her experiences, the lighting captured that beautifully, wonderful direction. Difficult story to tell, cancer, but she made it her own, she is convincing, it was her story. She is entertaining, she gives her all to the stage. I loved everything about the show, it is well-written, it has cadence – it flowed, very personal and subjective and that made it powerful. It is the best one woman show I’ve have ever experienced! It was the first time I’ve seen Shannon on the stage and I am a big fan. Simply, I loved her, so magnetic, she has charisma, she drew in the crowd, she had them in the palm of her hand, she commanded everything about that experience even after that slight turbulence; heckler alert, so you bought a ticket to be a thorn in the performers act, a wonderful job you have. Somebody get this spotlight stealer out the auditorium! Shannon remained calm and professional, it didn’t affect her swagger and frame, she pushed on fiercely and continued with the play!! A real master at play!!! I loved her!!! I loved the play, the subject matter, the lighting, how intimate it was the direction and most importantly her performance! She is the best! Well done to the whole team and a deserved standing ovation.
antakalipa 