At the Market Theatre for the opening of “Breakfast with Mugabe, Standard Bank had an influence, drinks, soup, bread and general snacks on the house. Posed for pictures with distinguished people, met the director Calvin Ratladi.
Written by Fraser Grace, ‘Breakfast with Mugabe’ stars Themba Ndaba portraying Mugabe and Gontse Ntshegang as his wife, Grace. Craig Jackson plays Mugabe’s psychiatrist, Dr Peric, while Zimbabwean actor Farai Chigudu takes on the role of Mugabe’s bodyguard. The play is about Zimbabwean president Robert Mugabe’s fictional imagining of conversations with white psychiatrist Dr Peric. Initially, Mugabe is avoidant, he misses appointments and comes late. They go deep delving into Mugabe’s psyche, the struggle is unearthed, bombings comes to the surface and love of country is elevated. The characters speak in Shona for realism, the play is in English. Exploitation happens, the white farmer loses his farm. The play explores grief, healing, faith, nationalism and legacy.
The set is in Zimbabwe’s head of state, coat of arms on the wall and a portrait of a painting on the other side of the wall. Elevated slightly by a stage in the middle is a trio of chairs and a table for juice. On the ground is soil, it features at the start and the end of the play. Themba Ndaba is brilliant as Robert Mugabe, he embodies his mannerisms, the restless energy, panting, speech and demeanor. I loved Gontse Ntshegang, she is so beautiful and amazing, she stole the show as Grace. She is after your farm white man. Craig Jackson as Dr Peric is a psychiatrist whose about learn what it means to be a white farmer in Zimbabwe, he learns the hard way, he loses. Farai Chigudu as the bodyguard beats up the white psychiatrist.
Thought-provoking piece of theatre that delves into the intricacies of human nature. I know I missed so much, it’s not something you watch once. You need multiple viewings to scratch the surface. It can completely go over your head, it needs meditation and contemplation. This is undoubtedly a masterpiece.
Congratulations Calvin Ratladi and the whole team for a great show and a deserved standing ovation.
Well, I didn’t expect that, so many twists and turns. I really thought Mr. Vole was innocent, I thought he was set up for sure. He pleaded his case with defiance. There’s no ways he could have murdered Mrs. French in cold blood, she was his friend. So what he inherited all her money and was looking at boats the week before her death. These things happen, besides death comes for all of us. Yes, Mr. Vole is a young handsome man with his whole life ahead, is unemployed and had everything to gain from Mrs. French’s death but it’s lazy to label him a murderer. He could have been framed. I was suspicious of everyone earlier in the play. Myself and the gentleman sitting next to me were not convinced of the charge brought against Mr. Vole and when his devoted wife Romaine, was called up as a witness for the prosecution, the alarm bells rang louder. The beautiful foreign girl lied to the jury and was a poor alibi. Instead of helping her husband, she made things worse! She fabricated details whilst his husband was protesting. I felt sorry for Mr. Vole, he vehemently protested his innocence, he was sweating, he was lively, active, on his feet, letting the jury know that he did not kill Mrs. French. That’s when I knew that he was innocent and that it was his wife Romaine who had murdered Mrs. French, the gentleman next to me concurred. Romaine played by the super talented Sharon Spiegel-Wagner is clearly a femme fatale, she oozes sexuality, is dressed in red and when we are first introduced to her, smoke is released from the stage and she makes her grand entrance, music in the background and she takes her sweet time walking. She’s a siren, a real work of art, it’s easy to see why “Leonard kisses the ground she walks on”. She strikes me as the murderer because of the fact that she’s a foreigner and her dubious character. It’s also revealed that she is not even married to Mr. Vole, she’s actually a Helm, still married to her husband living in Belgium. I disliked Romaine more and more as the play went on, a big cognitive dissonance. Sir. Wilfrid played by Graham Hopkins and his junior counsel John Mayhew played by Craig Jackson work exceedingly hard to prove Mr. Voles innocence. They succeed as the jury deliver their verdict – NOT GUILTY! But there’s a twist, it turns out he was guilty and his wife knew, she protected him and fabricated evidence to get him out of the hook earning charges of perjury in the process. That’s not all, it turns out Mr. Vole has a blonde mistress she was planning to elope with, leaving Romaine behind. In a heated exchanged, Romaine stabs and kills his husband. All this happens while still in court with Sir. Wilfrid and his assistant watching in the distance. So in addition to her perjury charge, Romaine will also be trialed for the murder of her husband Leonard Vole.
Unbelievable show! I didn’t know where to look, what to expect. Shocking! Thriller! Drama! Suspense! Agatha Christie is a master, great show. Respect to Graham Hopkins, a true legend, his acting was a masterclass, how he delivers his words, the accent, his posture, mannerisms and stature, it was his show, everything revolved around him, he killed it! Shout-out Peter Terry who plays Mr. Justice Wainwright and Mike Huff as Mr. Myers.
I thought the show had Dostoevsky’s “Crime and Punishment” influence. It’s centers around the same topics, murder and human nature. It’s clear I don’t have a clear understanding of both, I thought Mr. Vole was innocent despite the overwhelming evidence against him. Dostoevsky’s character Raskolnikov, doesn’t murder to inherit a fortune, he murders in cold blood because he is vile, ugly and because he can. He murders because he is in a position of power over the elderly woman, because he doesn’t see the use of the elderly woman living, because God won’t stop him. Dostoevsky documents Raskolnikov’s psyche, he is in a mess, he is haunted, he can’t sleep, he loses weight, he is sick, he is overwhelmed with guilt – the magistrate in charge of murders and equipped with a shrewd understanding of criminal psychology sees all of this, he torments him with his appearance, questions, he sees right through him. Ultimately Raskolnikov confesses and hands himself over. Leonard Vole didn’t exhibit all of this behavior, could he be a sociopath? Stories like this teach you a lot about human nature, it’s interesting to contrast them. “Witness For The Prosecution” is a thought-provoking show that depicts how absurd the human condition is, Albert Camus would be so proud.
I am not going to act like Sharon Spiegel-Wagner isn’t my Achilles heel, she’s the best and she delivered yet again. If I had my way, I’d see her every day. She’s an incredible, amazing, beautiful, talented woman and the show is exhibit A. She performs at a high level and everyone shines. Graham Hopkins and Craig Jackson are the pulse, they hold the show together, some of the shows best dialogue comes from them, they have amazing chemistry and synergy. Greta, played by Dianne Simpson was one of my favorite characters, she was amazing and funny. Brett Kruger as Leonard Vole is excellent. The show was well-written, the performers were amazing and the direction and lighting perfect. The lighting and smoke was pretty awesome! It’s an experience, I felt like I was in that courtroom. I loved that the set was not fixed, it kept on changing, that was appealing to my eyes and it helped with the mood that the director tried to evoke and convey. Some actors committed to double shifts, playing more than one character, wow, the mastery you have to achieve to do that, unbelievable craftsmanship. Congratulations to Alan Swerdlow and the whole team for a great, great show and a deserved standing ovation!
I fell in love with her when I heard her sing “Back to Black”, I got goosebumps and I started to shiver. I felt Amy’s spirit, she lived through Sharon, her execution was flawless, I had never witnessed talent like that. She was amazing, she felt familiar, my dopamine levels spiked to new levels, I loved watching her on the stage. She made me happy because now when I went to the theatre I’d hear Amy. Everything just felt like devine intervention, like a higher power was in control, like the Universe was conspiring in my favor, like I finally made it! It was my first week on the job on the square as the stage manager, Daphne Kuhn on the credits. For me it was a dream job because I’d get to interact with fellow content creators. Theatre on the square is known for hosting the best talent in the country, if not the world and for me the opportunity to be a spectator of greatness is heaven. I had seen “Nothing but the truth”, written by John Kani, starring Sello Maake Ka-Ncube, Mbali Nhlapo and the Ziaphora Dakile. It was a spectacular show, honestly the best I had ever seen. I saw it twice. I remember after the show, I saw Mbali near the box office. I remember feeling the urge to go up to her and congratulate her on the great show. So I went up to her and told her that her performance was awesome, I hugged her and I walked away. I meant it too, everybody in the production excelled with flying colors. First time I went to the theatre I watched “Home Affairs” starring Sello Ramolahloane and Lawrence Joffe. I went to the theatre with the hopes of getting a job, lucky for me Daphne was in the box office. I talked to her and gave her my CV, but the theatre wasn’t hiring, Covid sent the whole industry on its knees and the theatre didn’t have sponsors to sustain the expenditures of the business, to cut matters short, there was not enough money coming through. I persisted and made my case stating that I just love content and I just need a chance. She relented if not compromised and offered me a ticket to watch “Home Affairs” the next day at 20:00. At the moment the heavens opened up and I heard choruses of Hallelujah in my head. I took her up on her offer and went the next day and I loved the show. Of course one ticket for one show was never going to be enough for me, I needed more. The theatre door was the door I’d been looking for all my life, the stage, the lights, the sound and the live performance. For me getting a job on the square was never about money. I felt establishing connections was key for the long-run and ultimately, I started working there for free, for the love and happiness it gave me but Daphne did give me money for transport, a wonderful gesture. She changed everything for me. After “Home Affairs”, I sent an email to Daphne thanking her for opening up this beautiful world of theatre for me and I asked her for tickets for the next show. She obliged and with that I started coming to the theater more often. I saw every production. It was not until “The Dress Code” that I was welcomed to the family. Reginah Dube who started alongside Daphne in the early days of the theatre took a liking to me straight away and offered to take me under her wing so I can learn more about theatre, I accepted. Loftus taught me how to operate the lights, he was the technical guy in charge of the sound and lights, he had a good taste in music, level-headed, calm, the voice of reason, showed care and love towards his work and was always good to me. He was a great guy, I admired and respected him. Melidah was accommodative, kind and beautiful. She was the person I looked forward to seeing at the theatre. Malebone was the light that brightened my day, she had a smile that radiated and always made me feel welcomed and at home. Reggie was the guy who opened the door for me when I started for the first time that monday. That’s the day I first heard Sharon sing “Black to Back”, it was like I floating on clouds, like I was one of the 144 000 people selected to go into heaven, like everything was finally coming full circle. Of course her co-stars are on the level of her excellence. Lorri is a different beast when she’s on the stage, she lights up, you can literally see light emitting through her pores, she glows, no hyperbole. She is witty, comedic, intelligent and a great singer. She is the tempo of the show, the heartbeat, the soul. Ntambo is powerful, assured, heartfelt and dominant – also a great singer, when she sings “My Mother’s savage daughter” the whole world is at her mercy, she doesn’t even need the piano, she performs it acappela style, she’s on the stage barefoot with her dreadlocks dangling on either side of her shoulders, she is raw and empowering, she is amazing! One of the top highlights of the show. And Cliff of course murdering it on the piano. No mistakes, 10/10 performance every day! Shoutout Craig Jackson with his show “Defending the Caveman”, a great show I watched twice. And it would be a great injustice if I left out “Cat and Monkey”, I loved it, it reflected so much about reality, about how toxic co-dependent relationships can be, it was funny and relatable, I knew the characters on the stage first hand, Danielle Retief and Rowlen von Gericke executed extremely well. Even with that Sharon takes the cake for me mainly because of Amy. Lorri helped immensely at the end of the song, her song “Black Velvet” converges at the end with “Back to Black” and the end result is a masterpiece. It was the day everything finally came together and Amy Winehouse was the soundtrack, I felt blessed and everything made sense.
P.S. A big congratulations to Amanda Bothma, Vincent is a masterclass on theatre. When I heard Germaine Gamiet playing the piano in rehearsal, I thought he was the best piano player in the world and I told Daniel Anderson his talent was on another level! After the first show, I told Germaine that his the best piano player in the world and for Daniel, well, I told him his the goat – that’s the best I had, it wasn’t hyperbole, it was the general consensus, you have to see “Vincent” for yourself, it was what I felt and it needed to be expressed. Vincent always had people on their feet clapping and clapping, it was warranted to, it’s a great show. I am proud to have been a part of the production staff for “The Dress Code” and “Vincent” – Daphne Kuhn on the credits.
antakalipa 