Month: September 2025

Born to perform

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Born to perform

At the Teatro for “Born to perform”, big day, a time perform, to shine. Youthful energy, vibrant, anticipating to get this done, they love it, they want to dazzle and entertain. Stageworxs alumni, everywhere in the world, successful, thriving, living out their dreams. Jessica Driver among the alumni, served in ABBA and the Taylor Swift Eras in theatres all around the world to much acclaim. Today she was handing out the baton to the next generation, so symbolic, powerful. Zinah Rose and Graeme Watkins were outstanding as hosts. A lot of comedic moments. Like when Graeme came on to the stage with no pants. Zinah had them. The show had everything, everybody performed their hearts out, even the kids. Well practiced and delivered with precision, love and dedication. Fourways High, ST. Vincent for the deaf and NSA are the schools participating, Beauty and the Beast featured, Naledi Award winner Neo Kele performed and Mia Nupen was mezmarrizing, she sang and did ballet, standing on her toes, so majestic, so beautiful. Yahto Kraft is so incredible! He stunned Riky Rick and Lira on popular music show “The Voice”, the judges didn’t know what to say, they were pressing buttons followed by a standing ovation by everyone in the auditorium. That is still his content, he played the Evil ring master and Jesus in the same year. This time he sang Meatloaf classics, that’s always great. The crowd was appreciative. Simphiwe Ndhlovu was a lot of fun. There was a lot of enthusiasm, a lot of energy and a lot of people involved in the production. I met Matthew Marinus.

Congratulations Stageworxs and the whole team for a great show and a deserved standing ovation.

📷: SamSays

Pain

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Pain

Pain, pain, pain is in my heart. Trying to put myself together but it just rips me apart. Voices in my head telling me to push the button, cause life ain’t worth it I’d rather be chopped mutton. Every day is a struggle to get out of bed, what’s the use? Life happens without me, it frizzles into obscurity and I am left to watch on the sides observing like security. I am a spectator watching on the stands while life rules me like some kind of dictator. I don’t know who I am and lately I can’t stand what the mirror says I am. Alcohol as a form of escapism numbs the pain, it transports me to a world where everything is sane, supplement that with some white lines and the world just feels insane. Rather that than to be with people who are vain. Abiding to some false narrative to hid the shame. This life is like a sick game and every day is the same. I’d rather be boozed and snorted out on powder, the high is more exhilarating than fame. Pain, pain, pain, it fountains my existence. Often times I wish my life was in the past tense, because I don’t want to do this anymore. My life doesn’t make sense anymore, my friends and family are not with me anymore. I can’t take this anymore, living in a Godless universe with each passing day feeling like a curse. I don’t see the colors in the world and can’t appreciate a poetry verse. I feel like a motherless child, a bastard, an orphan, like nobody wants me. Zoned out on narcotics and meaningless sex. Gambling problems extort me more than tax. Pain, pain, pain, fighting a losing battle with myself. The blows are self-inflicted, I love it like a sadist because it makes me feel. I have a void in my heart that’s hard to fill.

AIDA

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AIDA

At Ster-Kinekor Theatres, Rosebank Nouveau to watch the premier of Verdi’s Aida on the big screen. A production by Cape Town Opera performed at the Artscape Theatre in Cape Town. I can claim having gone to Cape Town, such was the experience. The visuals in HD and the sound crisp, it was like being in the Artscape auditorium. I kid you not 15 minutes before the show, one of my poems titled “Cape Town” got a like. Cape Town is calling my name again, I don’t believe in coincidences, it’s synchronicities, I read Jung.

A grand production this is. It is spectacular! Egyptian mythology, Isis, vibrant costumes, colorful and bursting with imagination. 4 acts, huge stage. The Opera is sung in Italian, English subtitles for continuity and following with the story. The set evokes the feeling of Egypt with a big triangle hovering in the air against a backdrop of a gold wall that has imagery of the eye of horus. A chorus of 56 singers and dancers who are simply perfect. The singing is phenomenal, we were clapping along with the audience on the screen. A masterclass on technique and finesse, high notes are a given but it’s also about the texture and feel. Opera is emotive and expressive. US based conductor Kamal Khan leads the Cape Town Philharmonic Orchestra.

Set in ancient Egypt, Aida is a tragic love story involving: Aida, an Ethiopian princess enslaved in Egypt. Radamès, an Egyptian military commander who is in love with Aida. Amneris, the Egyptian king’s daughter, who is also in love with Radamès. The plot revolves around love, loyalty, betrayal, and the conflict between personal desire and duty to one’s country. It ends tragically, as Radamès and Aida are entombed alive for their forbidden love. Yes, buried alive for love.

Gregory Maqoma provides the choreography. A must see for Opera lovers. This production is simply irresistible.

Congratulations Cape Town Opera and the whole team for a great show and a deserved standing ovation.

Master Manipulator

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Master Manipulator

If you can’t detect a master manipulator you are in a deep pit. Cause the boss is the one who screams out to the whole world that he’s in charge, right? Please. Let’s fight, let’s beef, cause I ain’t gonna take your bullshit, master manipulator, trying to direct my reality like you’re Speilberg. What is this Jurassic Park? You ain’t get the part, not even an extra nor a minor, your efforts to dictate this picture are infantile like a minor, throwing tantrums and causing scenes cause deep down you’re just a minor. Maybe you need a little reminder, on who’s running this show. Lines blurred out cause they were written on the snow? Playing the victim and the emotional blackmail, what am I slow? Guilt tripping and love bombing to enhance the flow. Come on, that’s a no. I see you even when you Ghosting like Casper, I am a Ghost Buster. Gaslighting won’t give you lustre, you could never be my master, cause you a copy-head, copying and pasting your projections on anyone you don’t want to get ahead. Master manipulator, controlling all the cards, using fake moralization to control the nation, then separate your target, that’s called isolation. Master manipulator, let’s beef, let’s fight, I can’t stand your mere sight. Your mannerisms offend me and your chunks are hard to bite. I’d like to spit on your face for mere spite. You’re a liar, you lack empathy and nothing you do is ever right. Master manipulator, serial gaslighter, puppet master like Gepetto, triangulating the situation so you can remain on top, going over the limit and never having the decency to stop, please cut off the strings so I can be a real boy like Pinocchio.

Dr. Strangelove

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Dr. Strangelove

At Ster-Kinekor Theatres in Rosebank Nouveau to watch “Dr. Strangelove”, live theatre straight from the UK, on the big screen. I’ve got my popcorn and Creme Soda, a Production by National Theatre.

A fantastic show, laughing out loud all the way through. Amazing performers, great script. Steve Coogan plays four characters, I’ve never seen anything like that before, like an illusion, like you watching TV, but it’s not, it’s live theatre, on the big screen. He is amazing in all four roles, so sharp witted, edgy, dark and humorous. My favorite character was Dr. Strangelove, the wheelchair-bound, ex-Nazi scientist with an uncontrollable arm. His arm was so inappropriate and he explained himself far too many times. Humor is so mischievous.

A Stanley Kubrick classic, co-adapted by Armando Iannucci and Sean Foley. It is a dark satire about the Cold War and the nuclear arms race between the United States and the Soviet Union. The story begins when a mentally unstable U.S. Air Force general unilaterally launches a nuclear attack on the USSR. As the U.S. government scrambles to prevent global annihilation, absurdity and bureaucracy collide in spectacular fashion. Peace on earth prevails.

Steven Coogan plays four characters – Dr. Strangelove, Captain Mandrake, President Muffley and Major TJ Kong

Giles Terera is General Turgidson
John Hopkins is General Ripper
Oliver Alvin Wilson is Jeffson

Set and Costume Designer – Hildegard Bechtler

2 hours 10 minutes with 15 minutes interval

Congratulations Sean Foley and the whole team for a great show and a deserved standing ovation.

📷: Manuel Harlan

Dancing the death drill

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Dancing the death drill

At the Joburg Theatre for the opening of “Dancing the death drill”, packed house, energy palpable, euphoric. So much excitement, there were even soldiers in uniform. My all time favorite performer stars in it, Sharon Spiegel-Wagner. A truly beautiful woman. She speaks French in this one, I rest my case.

What a wonderful theatrical production. I was ecstatic to see Thuli Thabethe, she used to star in a sitcom I used to love “City Sesla”. She played Phumzile, I used to have the biggest crush on Phumi. She plays Matshidiso in this one, the mother of the lead, Pitso Motaung. Her biggest contribution to her son is “don’t be a desserter like your father”. Pitso is a mixed breed, his father is white and his mother black but he identifies as a black Sesotho man. The play is in English but contains dialogue in Sesotho for realism. Clint Brink is a revelation, he speaks Sesotho so well. He plays a character who is accused of a double murder, he is in chains and he is interrogated.

The play has three narrators and they take turns telling the story. They use language that is descriptive and evokes imagery. The monologues are passionate and full of life and personality.  iComplete are the band and they are simply irresistible throughout, the singing and backup is amazing. The violinist, Nakedi “Ace” Phenyo is mezmarrizing, he is in the background for most of the show and is not seen but heard. Towards the end, he comes on in the middle of the stage with the other performers while playing his violin, everyone has eyes on him, he is spellbinding, he had the audience standing up and applauding. However, It was the Luthando Arts Academy who stole the show. They dance with cohesion, chemistry and conviction. In sync, perfect choreography, they make full use of the huge Joburg Theatre stage to perfection, they are outstanding!

The play is based on the sinking of the SS Mendi in 1917, a British troopship carrying over 800 South African men. The ship sank in the English Channel after a collision, resulting in the deaths of over 600 men, many of them Black South Africans. Writer Fred Khumalo reimagines this tragedy through the eyes of Pitso Motaung, a fictional character who rises from a humble background in South Africa to become a soldier. The story is adapted for the stage by Palesa Mazamisa and James Ngcobo. The set is the SS Mendi, we are on a boat and Charlie Bougenon’s character Portsmouth is the captain. I cracked up when he instructed one of his men to lick off his spit on the ground and he did, talk about running a tight ship.

This is a wonderful production with a lot of enthusiasm. The lighting is awesome and the acting, singing, dancing and overall storytelling is just world-class.

Congratulations James Ngcobo and the whole team for a great show and a deserved standing ovation.

📷: SamSays

Cape Town

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Cape Town

Cape Town is calling my name again,
I don’t believe in coincidences,
it’s synchronicities,
I read Jung.

Everything is deliberate,
nothing happens by chance,
the Universe speaks in codes.
So I am listening.

Cape Town is calling my name again,
it’s personal,
it knows my first name,
it wants to know if I am game.

Started off as whispers,
I didn’t think much of it,
but then started taking my best friends,
first Stumza,
then Phimza,
all in the same month.

Cape Town is in my head again,
it happened for the first time,
then a second time,
the third time is an omen.

The Universe has a secret language,
you just have to learn to decode it.

Cape Town is calling my name again,
angel numbers are everywhere,
things are progressing beautifully,
my energy is connected to the pulse that moves life,
life is good.

Cape Town is calling my name again,
wants to know if I am ready for the shift,
to reply quick and make it swift.

Sure Cape Town,
I am game.

I don’t believe in coincidences,
it’s synchronicities,
I read Jung.

antakalipa – Cape Town

Joseph and the amazing technicolor dreamcoat

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Joseph and the amazing technicolor dreamcoat

At Pieter Toerien to watch “Joseph and the amazing technicolor Dreamcoat”, LAMTA, Spring Awakening, that type of vibe. An outstanding show, vibrant energy, youthful, defined bodies, six packs, wonderful lighting, a set that illuminates, Egypt, the eye of horus, fantastic choreographed movement and dance and the best singing in the world. It’s an experience, the sound coops you in, high tempo, faster revolutions.

A musical by Andrew Lloydwebber (music) and Tim Rice (lyrics). The story follows Joseph, the favorite of Jacob’s 12 sons, who is given a magnificent multicolored coat. His jealous brothers sell him into slavery, and Joseph ends up in Egypt. Despite many hardships, including being falsely imprisoned, Joseph rises to power by interpreting Pharaoh’s dreams. Eventually, he is reunited with his family and forgives his brothers. No dialogue, it’s sung throughout. I took a picture with Joseph. A big credit to Duane Alexander and Jared Schaedler, the choreography is just awesome. The performers on the stage are incredible. They are lively and expressive, their bodies express liberation. They are free and happy. They do a lot, they become props, they carry and throw each other in the air, they run, they jump, they dance, the sing. The costumes are grand and the lighting moves the story. It’s an experience, you are in, you are in and what a journey it is.

Some of the songs performed are Any Dream Will Do, Close Every Door, Go, go Joseph, One more Angel in Heaven and Song of the King.

Congratulations Anton Luitingh and Duane Alexander for a great show and a deserved standing ovation.

📷: SamSays

The Frog Prince

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The Frog Prince

At the Peoples Theatre, Joburg Theatre to watch The Frog Prince and other fantastic stories. A wonderful show for the kids with color, imagination, energy, funny gags, sing alongs, morality, fantastic costumes and plenty of participation from the audience. We were very helpful. It wasn’t just the Frog Prince, we had other great stories like: 3 Wishes, a story of a grant wishing flounder with a lifelong lesson about promises “you have to keep your promises”. There was Hansel and Gretel, The brave little tailor, The soup stone, The emperors new clothes and The brave little rooster. There was also a story about goats.

The performers also performed Happy, uptown funk, I’ve got the feeling and Waka Waka, encouraging and teaching the audience dance moves for participating. Perfect choreographed movement and dance.

It is fun and interactive, a lot of smiles and laughter. Children helped and donned costumes, so cute, they were flies, bees, kings guards and a whole lot more. Laughter and happiness reigned. Everyone participated.

Morals like “You have to keep your promise” and basically power; from a small cottage, to a castle to being the king to being the lord of the universe and don’t take things that don’t belong to you provide life lessons.

The wonderful performers are:
Luciano Zuppa
Thokozani TK Jiyane
Raymond Skinner
Noluthando Matebula

1 and a half hours with 10 minutes interval.

Congratulations Jill Girard and the whole team for a great show and a deserved standing.

WANDA

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Wanda

Hola Wanda, it’s the great antakalipa. I have a business proposition for you. I need Investors for my production company that specializes in content. In addition you would come in as a partner. I have content, I have the know how, I have enthusiasm and the business acumen. It’s small things that are a hindrance. For example, I have a blog “antakalipa.wordpress.com” and I have been releasing content everyday for more than 300 consecutive days, it’s gaining traction and followers but the traction is limited because the website is free and certain features are blocked, I can’t afford a domain name for the blog. That’s a hindrance for the potential growth of the blog because it just doesn’t look professional and the brand suffers. The big thing is to grow the brand but it’s difficult without the adequate infrastructure and resources. I want to serve millions of people around the world with great content. In the future I plan to branch into making movies, music, books, podcasts, animation – just anything and everything with a creative expression. But for now I just want to make the content that I have now come alive visually and sonically, the content must come alive and the brand must grow so I can establish distribution systems that will be enable me to serve. My dream is to create a hub for creatives, I can do it and I will. Depending on the resources at my disposal, it might take a while to turn a profit but when we do it’s going to be forever because we can recycle the content and repackage it without incurring costs for production. We just have to grow the brand, it’s going to take some effort but it will be worth it in the end. Is this something that piques your interest? Are you interested?